
Obsolete? Artist, Object, Small Museum — Exhibition Tour, The Relational Museum & its Objects to H.R. Gallop Gallery, Wagga Wagga /Western Plains Cultural Centre
Nicole Barakat, Aleshia Lonsdale & Fiona MacDonald with Professor Lyndall Ryan
Exhibition Tour
Venue 2: H.R. Gallop Gallery, Charles Sturt University Wagga Wagga
Dates: 11 September – 5 October, 2018
Public Program: Artist’s in Conversation, Aleshia Lonsdale, Fiona MacDonald and Nicole Barakat. 11 September, 12 to 1pm
Venue: HR Gallop Gallery I Building 21, Boorooma St, Wagga Wagga
Venue 1: Western Plains Cultural Centre, Dubbo
Dates: 24 March to 17 June 2018
Exhibition Public Program: Conversations Friday 20 April, 5pm
Working It Out – Matt Poll, Assistant Curator, Indigenous Museum Collections and Repatriation Program, Macleay Museum, Sydney University
Mapping Massacres – Professor Lyndall Ryan, University of Newcastle
In conversation with the artists
Venue: Western Plains Cultural Centre | 76 Wingewarra St, Dubbo NSW www.westernplainsculturalcentre.org
Co-organised by The Cross Art Projects & Kandos Museum
Download exhibition catalogue Obsolete? Artist, Object, Small Museum > Download as pdf
Obsolete? Artist, Object, Small Museum at H.R. Gallop Gallery, Charles Sturt University, Wagga Wagga, Floor Sheet. > Download as pdf
Aleshia Lonsdale, Inconvenient Truths, 2017, Installation, Stones, Red Carpet, Broom.
Massacre Map, Professor Lyndall Ryan, University of Newcastle. Installation photo James Farley
Installation view Aleshia Lonsdale Inconvenient Truths, 2017; Installation, stones, red carpet. Installation photo Photo James Farley
Aleshia Lonsdale, Stone without Stories, 2017; stone tool assemblage. Installation photo Photo. James Farley
Nicole Barakat, Mediation/ (Souvenir/Sovereign) 2017, in-situ performance documentation. Installation photo James Farley
Fiona MacDonald, Obsolete? 3 to 12, 2017-18, Photo-montage, source images courtesy of Kandos Museum. Installation photo James Farley
Nicole Barakat, We transcend time and place, 2017. Hand cut found paper. Shapes cut from the shadows of objects from Lebanon, Syria & Palestine held in collections at the Louvre and British Museums and the Nicholson Museum at Sydney University. Installation photo James Farley
Fiona MacDonald, Obsolete? 3 to 12, 2017-18, Photo-montage, source images courtesy of Kandos Museum. Installation photo James Farley
Photo credits: James T. Farley or @jamestfarley on Instagram