| A Cross Art Projects Exhibition | |
|
The Cross Art Projects - REPORT ON KINGS CROSS NEON FORUM Kings Cross Neon Precinct About 50 people gathered at The Cross Art Projects, one of Sydney’s contemporary art spaces, on Saturday 28th August to hear artists and advocates speak in a room lit by neon signs and sculptures, watching projected displays which included a history of neon - using archival material supplied by Claude Neon - and studies of public neon art from around the world. Councillor PHILLIP BLACK, a heritage expert and chair of council’s cultural committee enthusiastically chaired the forum. The neon art forum and exhibition
is part of a wider backlash from the Cross communities to Sydney City
Council's strict new ‘standard signage’ draft
Development Controls which would effectively ban neon or flashing external
signage. The ‘Assessment
of Illuminated Signage: Darlinghurst Road Streetscape Works” prepared
by Rob Howard and Associates says that “the present signs continue the
'tradition' of illuminated advertising that has characterised the locality
since before World War II.” JO HOLDER, convenor of the crisis forum, said in her talk that the first neon sign in Australia had been in Darlinghurst Road Kings Cross in 1929. Her slide show featured the ‘Glittering Mile’ of William Street and Darlinghurst Road and the making of the famous Coke Sign at the top of William Street. Artist and architect PETER MCGREGOR, who designed the popular light installation in Llankelly Place, Kings Cross, and the Chinatown lights erected for the Olympics, deplored the halting of innovative art in public domain projects and the city Sculpture Walk. McGregor said the forced council amalgamation and Frank Sartor's adoption of standard ‘gateway designs’ had stopped innovation. MICHAEL GORMLY, local writer and photographer, argued that turning out the lights would kill the Cross. Gormly said local business wants to reinvigorate and build on what the Cross already is—an entertainment, tourist and red-light Mecca. Business should have incentives to encourage neon design. ANN STEPHEN, curator of social history at the Powerhouse Museum, spoke about the museum’s preservation of the Golf House animated neon near Central Railway and the giant AWA sign from the AWA tower and the preservation of neons in Melbourne by the state heritage register. In conclusion convenor,
JO HOLDER, argued that as Rod Howard’s report says
that illuminated signage is at variance with the proposed city signage
DCP, a neon precinct signage strategy must be adopted for Kings Cross. The
policy restricts signage associated with sex industry premises, the most
vital and eye
catching of the current signs, and places restraints on design. It is
the exuberance and lack of restraint in design which contributes to the
character of the Cross. Round table convenors: Loma Bridge, Gavin Harris, Jo Holder |
||
ON-NEON ROUND TABLE CHAIRS: Cr Phillip Black (chair City of Sydney Cultural Committee) and Jo Holder ARCHITECTS Clive Lucas, Peter McGregor (Llankelly Place and Chinatown lights) FILMMAKERS John Hewitt ARTISTS Loma Bridge (on Rotorua project), Barbara Campbell (on the work of Neil Roberts), Bronwyn Clarke-Cooley, Peter Fay, Trevor Fry, Ruark Lewis, Eugenia Raskopolis DESIGNERS Twist Creative, Claude Neon Group POETS & WRITERS, Michael Gormly. Linda Jaivin, Anne Coombes ART HISTORIANS & CURATORS Sally Couacaud (curator, initiated Sydney Sculpture Walk) Kate Davidson (curator, initiated City Exhibition Space), Gavin Harris, Therese Kenyon (resident, director Manly Art Gallery) Ann Stephen (social history curator Powerhouse Museum) AND LOCALS & LOCAL BUSINESS FORMAT: five invited speakers each gave a 5-7 minute presentation. Then participants gave a brief response. Ideas were communicated to City Council. ON-NEON EXHIBITION:
work by Neil Roberts, Peter Fay, Trevor Fry, Michael Gormly, Francesca
Mataraga, Eugenia Raskopolis, Twist Creative (and others) Exhibition
runs 28 AUGUST TO 10 SEPTEMBER. |
||
![]() |
![]() |
|
![]() |
![]() |
|
All pictures by Michael Gormly |
||
go
back... |
||